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Opening Movements in Ophuls: Caught (and Madame de…)

This audiovisual essay provides an analysis of the orchestration of long takes and camera movement in the opening of Caught (Ophuls, 1949), and develops a comparison with the opening of Madame de… (Ophuls, 1953 – U.S. release title The Earrings of Madame de…).

It is published by [in]Transition (issue 3.2) and you can read more about the essay there (mediacommons.futureofthebook.org/intransition/opening-movements-ophuls).

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